Three Scenes

ONE…

The chains hung to the ground, flacking off bits of rust and dried blood.  The iron tendrils rattled, chimes of imprisonment, as they were dragged across the floorboards.  Without that slight music, the house was silent.

It stopped at a grime-encrusted window.  Outside, below in the driveway, humans were transferring bags of supplies and boxes of equipment from two large vehicles to the front porch.  A large male struggled with the front door for a moment, then let out an exclamation once he gained entry.  They others cheered. 

Up on the fourth floor, behind the filthy glass, it allowed all three sets of jagged teeth to smile.

 

 

TWO…

Eyes strained wide with a brutalized innocence.  “Why?”

There are red rivulets over his fingers, faster now.  Droplets spill on the greenery between his feet, then a stumble and a fall.  The blood wells up on his tee shirt, draining out onto the forest floor.  A crimson-wet reach out to her, pleading, the word on his lips one last time.

“Because I could,” she whispers.

 

 

THREE…

Recalling the words murmured, he stared harder at the artifact in his hands.  Contemplation of the litany will result in secrets laid bare.  He studied the unknown language that was scrawled over every inch of the clay tablet, arabesque runes that swam at the edges of his consciousness.  Carved in meticulous base-relief, the lettering flowed, just as much a message as a work of art. 

Its many wonders absorbed his attention, and the professor no longer noticed his surroundings.  He didn’t see the light in his attic office grow incorrect when the shadows took on ill-defined proportions.  The long and narrow space inside the room, filled with books and discoveries from his travels, lost its cohesion.  From area outside reality where his door had once been, something shifted.  Then, what sounded like the voices of children.

 

Brian Fatah Steele, 2012

Filed under  //   brian fatah steele   dark red press   fiction   horror   lit   writing  

Rambling VLog for March 29th/30th

(download)

Filed under  //   4pocalypse   author   books   dark red press   e-book   further than fate   kindle   post-apocalyptic   post-mythic   writing  

Serenity J. Banks teaches us how to be Better Authors

http://www.redheadedstepchildbooks.com/1/post/2012/02/how-authors-can-become-social-media-stars.html

Serenity J. Banks, co-founder of Dark Continents Publishing and the driving force behind Redheaded Stepchild Books, has decided it's time to share some of her wisdom and experience.  Her new, ongoing blog So You Wrote It... Now What? is dedicated to elevating the indie press industry and answering the gazillion questions that many new authors have.  She tackles everything under the sun, from standing behind your book's idea to using social media responsibly. 

Her latest post, "How Authors Can Becomes Social Media Stars," features such names as Brian Keene, Douglas Clegg, Deirdre Reid, Michael Hyatt, Peter Shankman... and (shockingly) me.  It's a wonderfully detailed blog that discusses an assortment of social media markerting concepts along with our behaviors on these sites.  I truly believe posts (and entire blogs) like these are essential to the up-and-coming author.

http://www.redheadedstepchildbooks.com/1/post/2012/02/how-authors-can-become-social-media-stars.html

"Ideas aren't created in a vacuum."  And if the ideas of young authors are going to be shaped and sharpened by anyone, I can think of few people better suited to lead that progression than Ms. Banks.  Check in at her blog, regardless of your writing skill or popularity - you just might learn something.

http://www.redheadedstepchildbooks.com/1/post/2012/02/how-authors-can-become-social-media-stars.html

 

 

Filed under  //   author   authors   books   lit   serenity j banks   social media   writers   writing  

Would-Be Authors, you need to READ!

Today I was engaged in a discussion over on Facebook about self-pubbed authors.  I got the feeling most of the authors involved in the debate were either traditionally published or with small presses.  While I'm with a small press now, I used to self-pub so I kind of felt sorry for the object of their scorn.  None-the-less, I understood completely the issue at hand.  It all came down to the utter lack of editing that a majority of self-pubbed authors have with their work.

Cthulhu knows I didn't have a whole lot back in the day.

Now, I do think self-pubbed authors would greatly benefit from having a professional editor.  Wait... let me clarify something - let's make a crowbar division between "Editing" and "Proofing."  We'll say Editing is when someone looks over your manuscript for issues with character development, plot flow, theme, and all that other literary stuff.  Proofing is when someone looks over your maniscript for SPaG issues, or problems with Spelling, Punctuation and Grammar.  All self-pubbed authors should have someone else (preferably semi-trained) dispassionately Proof their manuscript.  The Editing I'll leave to your discretion.

However, I think it's more than that.  Too often I find that both Would-Be Authors, early Self-Pubbed Authors and (sadly) a lot of D-List Authors (like myself) only read the works that are similar to the genre they write in.  Just because you've read every gigantic tome written by Robert Jordan and Terry Goodkind, you are not necessarily in a position yourself to write the next great fantasy epic.  Consuming every YA Vampire novel you can get your hands on does not make you an author of one.  Now, I'm not saying you shouldn't read the stuff you like, nor am I saying that you need an advanced degree in English to pen a book, but c'mon... diversify.

I read just about everything except Harlequin Romance.  Well, and Sports Biographies.  (Lame.)  An author should always be up for absorbing new things, gathering more information.  Read Westerns, SciFi, Horror, Romance, Fantasy, whatever.  Read non-fiction books on History, Cooking, Physics, Crime, Technology, Philosophy, whatever.  Read the local newspaper, read the label on your frozen pizza, read your junk mail, whatever.

After running a used bookstore for a year, I found that most readers have one or two genres they like, with only about a half-dozen authors they regularly read.  While that might be fine for the general public, you're an Author... you don't get that luxury. You just need to read.

And who knows - maybe there won't be as much Proofing that needs done later...

 

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The Perfect Horror Monster in 10

http://fecklessgoblin.blogspot.com/2012/01/guest-blog-10-characteristics-of.html

I get the honors of writing the Guest Blog over at THE FECKLESS GOBLIN today.  A spot of Horror, Dark Fiction & Writing Tips from Ziggy Kinsella, I composed a objective look at the Ten Characteristics that the Perfect Horror Monster must have.  With a deconstructed theme, working more on archetypes and theories, I tried to throw in a bit of laughs along with the all the screaming.

Check it out over at THE FECKLESS GOBLIN.

http://fecklessgoblin.blogspot.com/2012/01/guest-blog-10-characteristics-of.html

 

 

Filed under  //   10   author   brian fatah steele   feckless goblin   fiction   guest blog   horror   monster   writing   ziggy kinsella  

Dreaming like Randolph Carter

I had this dream for the second time last night.  It was a bit more vague than the first, but the general imagery and sensations were there.  I believe it’s quite telling…

 

It is a charnel swamp, a bog built out of death.  The blood and bile run in thick currents knee deep, the “vegetation” nothing more than meat.  Bushes of gristle, vines of intestines, trees of bone – these things and more obstructed my passage through this slaughterland.  It was an absurdist blend of overgrown greenhouse and over-enthusiastic butcher shop.  Nothing appeared too far decayed yet, as if the entire environment had been mutilated into existence only hours ago and then held in stasis.

Above me, the sky was burning.  There was no moon or sun present, only rolling fields of liquid fire as far as my eyes could see.  The stratosphere aflame, it provided a dull orange glow to the ground below, everything shimmering and wet.  Here and there, thin clouds of soot raced past, low and insubstantial.

I continued to wade through the gore, this red reality.  I can recall feeling somewhat placid, neither disturbed nor comforted by these sights.  I don’t remember what I wore or for how long I traveled, and perhaps these things were irrelevant.  However, I eventually saw something akin to an island of viscera in the distance.

Drawing closer, I saw this mound was built with the corpses of babies, their flesh sewn and nailed together.  I don’t believe they were human infants, though… their dead eyes still squirmed with a living darkness.  This animated tar-like substance undulated and swayed in a subtle pattern deep in those tiny sockets.

There, sitting on the apex, was some type of throne.  I still can’t properly describe the material or style, nor can I attempt to describe the entity that sat upon it.  Occasionally, I found it humanoid, most often I did not.  I think it may have been composed of that same living darkness, that “deeper black” that I speak of in my fiction, but sharper and more defined.  I have the precise recollection that this abomination was the current king of this realm.

I remember… this monstrosity and I, we gazed at each other for a moment before speaking.  When we spoke, we spoke as equals.  I somehow understood that it acknowledged me as a peer.  I can recall that placid sensation remained, a casual feeling, perhaps closer to boredom or even slight irritation.  I can’t determine what we talked about, but I know the thing gestured off into the distance, and I had a bizarre but distinct feeling wash over me.  It was reminiscent of those time when you can’t find your car keys after having just sat them down, or when a needed word is right on the tip of your tongue.

And that was it.

 

I believe the first time I had the dream, I may have actually started walking off in the direction indicated by my abhorrent host.  I’m not sure.  I know I awoke before leaving its presence the second time.

I can easily explain away certain elements of the dream.  I had already written a scene with a similar brutal landscape for the novella I’m working on, and I’ve already incorporated portions of this dream into a new part of the fiction.  This “Deeper Black” is a concept I’ve played with in almost all of my horror and paranormal fantasy work.  The entity is undoubtedly from reading far too much Lovecraft.

No, the visuals are meaningless to me, simply window-dressings.  The sensations are what fascinate me, this nonchalant acceptance combined with faint annoyance.  While this is my general state in everyday life, I’m terribly interested on the how’s and why’s this would translate so clearly into such a atrocious dreamscape.  And, of course, I would very much like to discover where I was supposedly journeying off next to.

Once, I used to dream on par with Lovecraft’s great reoccurring character, Randolph Carter.  Various medications stole much of that from me, most of my dreams now either utterly mundane (going to the store to get lunchmeat) or a jumbled sensory-salad of images, sounds and concepts that would make Salvador Dali weep.  The majority of people would find such a dream like I’ve described above horrific, a nightmare to be banished.  I find it hopeful, something to return to.

And if I’m lucky, perhaps, I’ll be able to get my bearings back in the slaughterlands and travel even farther…

 

 

Filed under  //   brian fatah steele   dark red press   dreams   fiction   h.p. lovecraft   horror   lovecraft.    writing  

Soundtrack to the Story

I have almost 10k words done for the anthology piece due to Dark Red Press on the 20th of January.  I'm pretty sure it's only half done.  15,000 words was my minimum, but I know I'll go over that and hit closer to 20k.  It's a post-apocalyptic tale, just as the other 3 will be from the other DRP authors, for a book entitled 4POCALYPSE.  An interesting premise, each of us taking a spin on that speculative fiction sub-genre.  Like an idiot, I decided to set mine in the ruins of 2270 and fill it with advanced tech and my twist on zombies.  (I didn't foresee the amount of research that would have to go into this one.)

As with all of my longer works, it took me a while to find the "voice."  Mostly, this was because I hadn't found the soundtrack yet.  Each of my novels or e-novellas have had their own selection of music.  THE STITCHING was done entirely to Murder By Death, while IN BLEED COUNTRY had a lot of Puscifer and Tool.  A COMPLICATED DIVINE was set to Alkaline Trio and other modern punk bands, while my out-of-print novel BETWEEN US AND OBLIVION was penned exclusively to the post-rock band 65DaysOfStatic.  It took me a while, but this current novella is getting hammered out to a mix of DeadMau5, Skrillex and The Glitch Mob.  The music created by those groups fit the vibe of the tale.

I know some authors who must write in near silence - that would drive me insane.  At the same time, once I've found my tale's soundtrack, I won't listen to it during the writing process except when I'm actually writing the story.  It forces me to keep going and doesn't dilute the feeling.  When I'm writing random articles, blogs (or just pissing about on Facebook), I find any instrumental post-rock works well for me.  While emotive and creative, it almost acts as a default sound to be, those guitars from This Will Destroy You and Explosion in The Sky and the vocals from Sigur Ros.

After this novella is done, the sequel to IN BLEED COUNTRY is supposed to be next on my plate.  Perhaps I'll find the soundtrack in one of Maynard Keenan's acts again, but I wouldn't necessarily say it was set in stone.  Certain aspects of a story writes itself, and a tale demands its own tune.

Filed under  //   author   books   dark red press   e-book   ebooks   fiction   horror   urban fantasy   writing  

So Much Madness...

A lot going on right now.  The DRP interview for "In Bleed Country" is up, and I'm hoping it generates more interest in the book.  I've contacted three different review site with the request to submit the book - no word back from any of them.  That said, if any is willing to give an HONEST review on places like Goodreads, Amazon, etc. I'll see able getting a DRP e-Review Packet out to you. 

So, the 4POCALYPSE project at Dark Red Press has been pushed back a month.  This works out for me greatly.  I spent so much time researching aspects of the novella I was contributing, the start of the actual writing seemed daunting.  Of course, once I finally got into the tale, I only had a little over a week left before the deadline.  This extension should ensure the piece comes out as quality.

Speaking of, one of the main reasons I found my groove with the post-apocalyptic tale was because I discovered its soundtrack.  This is always an issue with me, the right "feeling" music to inspire a certain story.  C.L. Stegall talks about it in his video blog here, http://www.youtube.com/watch?v=wwQCXv6F78E and it's something that definitely resonates with me.  My tastes are eclectic, and I found a few dub-steb groubs (Deadmau5, Skrillex, Glitch Mob) are helping me to write this.  At the same time, I've been trying my hand at illustration again.  It was a small tragedy that my CTS didn't allow me to do much tradional artwork, but I've switched up some techniques and the project currently has three fully rendered pieces of promo art.

Oh, and the evil wizards at Smashwords have arbitrarily decided my short story, "Wetter," has passed all their insane e-tests to get on the premium catalog.  Have I mentioned this week how much I hate Smashwords?  I wouldn't mess with them anymore if I could get free e-books up on Kindle and Nook any other way, but it's SUCH a great marketing tool.  I'm fully aware I'm a D-List Author, but I also fully believe in a certain price tier - full eBooks at $2.99, eNovellas at $0.99, and eShort Stories for free. 

Now if I can just get those bastards to accept the Halloween eAnthology I edited, "Past The Patch," into their damn premium catalog.

 

Filed under  //   author   books   dark red press   e-book   ebooks   horror   urban fantasy   writing  

Smashwords: a necessary bane to indie writers?

I don't think it's possible to calculate how many times I've screamed at the computer screen while working at the site Smashwords.  An independent e-publishing site that allows authors to sell their books in all available formats, the concept seems wonderful.  Unfortunately, it appears, someone has somewhere dropped the ball.

I have tons of e-books.  I have the Kindle App that runs .mobi files as well as the wonderful program called Calibre.  Calibre works with any e-book formats (mobi, epub, lit, pdf, etc) along with allowing you to alter the metadata, change cover art, switch formats, and manipulate the way you store your library.  So yes, I know I how e-books look in various formats and bring that eye to my own.  And trust me, not everyone has great looking products.  Strangely enough, I've found it has nothing to do with money - big house publishers are just as likely to screw it up as amateurs.

Amazon Kindle will let anyone upload anything to their severs.  I can see why some crotchety old traditionalists get riled up over this.  It wasn't until recently that Amazon thought to offer formatting tips, and I'll admit that my first two books had a number of errors when I uploaded them.  The thing is, unless you're a superstar, an "A-list Author," you shouldn't be charging a whole hell of a lot for an e-book and guess what - nobody really cares how the chapters headings are formated on their screen.  They bought your $1.99 e-book for cheap entertainment, and while I'll be the first to demand a certain amount of quality control (and pride in your work), there's no need to agonize over font choice display.

Like Smashwords seems to.

A handful of times now, I've almost walked away from the site.  However, I stick around primarily for two reasons.  #1 - Smashwords is truly international, unlike Amazon with their various ".dot" endings.  I've found that folks in other country ocassional can't get my work, especially those in Australia.  Why I have so many fans in Australia, I have no idea, but I want them to have access to my crap books.  #2 - I can put whatever I want on Smashwords for free.  Some magical spell allows you to do the same at Amazon, but I haven't discovered it yet.  I have a simple formula for a D-list Author such as myself - full e-books are $2.99, e-novella are $0.99, and short story are free. 

Out of the nine works I have on Smashwords, ony one has been accepted into their Premium Catalog.  I have no idea what I did differently with that one as opposed to all the others.  They like to remain somewhat vague on the reasons, but everyone who has worked with Smashwords will recognize the response of...

  • This book requires modification prior to inclusion in Smashwords' premium catalog.
  • This book has failed EpubCheck. 100% EpubCheck compliance is required by Apple. Click to our EpubCheck Help page to learn how to fix.

I've been an Apple guy for over a decade, but WOW, does this piss me off.  Does anyone even buy e-books from Apple?  Where?  The damn iTunes store?  Sorry, I got sick of updating it every three days.  And your "Help Page" is worthless.

People buy e-books because they don't take up any room, they're cheap (usually), and they can read them on their phones or when they're supposed to be working.  Sure, there should be guidelines for how these things are set up, but nobody is going to win awards for Digital Excellence.  Borders has shut down, Dorchester Press has gone under, the old world of publishing is slowly but surely dying.  Instead of trying to cram the old rules onto the the new world, let's make up some new ones. 

I mean, we see how well it's working out over in the music industry...

 

 

 

Filed under  //   authors   calibre   e-book   ebooks   indie   kindle   publishing   smashwords   website   writing  

Imagination Unbound

There are numerous occasions when I find myself attempting to explain how my imagination works.  It's always difficult.  It's always for different reasons.  It usually comes out in a jumbled babble and I have the other person staring at me wide-eyed.  There's always that question on their lips.

Way back when I was in high school, I got in trouble in a geometry class because the teacher believed I had been cheating on one of the tests.  This was because I hadn't shown my work to arrive at the conclusions to the problems - the right conclusions.  It wasn't until the next year, when I had the same teacher for Tech Math, and he was forced to see how Machine Trades students instinctually did trigonometry in their heads, that I was able to explain how I had passed his geometry test.  It was simple for me to imagine a three dimensional block of wood in the specifed shape floating beside me, surrounded by glowing numbers, and the object getting dissected as need be.  This was about 4 years before the film The Matrix appeared on screen.

Today, I'm sitting at my dining room table, at my macbook and listening to 65DaysOfStatic.  The epic, post-rock electronica conjures certain emotive sensations and I can weild them in my imagination.  Music is important in my imagination.  Today, it helps me form vistas of a distant post-apocalyptic future over-run by a rouge science that looks a lot like magic.  This is easy.  The music is loud, and the beats and textures aid me.  Into the blankness, I drop the ruins of skyscrapers and shattered electronic billboards, a clear blue sky above and knee-deep flooded streets below.  Windows are blown out and a few cars still smolder, a pack of predator cats growl in the dark recesses of a cellular store and automatic gun fire echoes in the distance.  The track changes.  From the tallest remaining building, a whitish-purple lighting crackles up and around the structure, while a flock of creatures far too large to be birds take flight from its windows.  The ground shifts, and under the tepid water where lines used to dictate traffic patterns, there is a massive crack.  It builds, it grows, and something massive come crawling out.

The other night my girlfriend had a nightmare.  She briefly told me pieces about it, and I found myself typing away for hours as I listened to A Perfect Circle.  I imagined a suburban setting and created the details to a very normal American home.  I described the young boy and his older sister, their parents and the things that were to transpire.  In my head, I watch as the boy (who really wasn't a boy) ripped out his own teeth with needle-nosed pliers once used to construct model airplanes and hacked away at his fleshy pink gums with an exacto blade so that he could cram in his collection of shark teeth.  He had wanted to be a "shark monster" for Halloween, you see.  Chomp, Chomp!  All good lil' goblins wish to be something properly scary.

Perhaps it's one of the reasons I don't care for Stephen King's writing.  I don't need three pages describing the shutters on a house.  If you tell me it's a "Haunted House," my imagination has run through two dozen variations before you're on to the next word.  Of course, I also know that I'm the weird one, and that I'm going to have to describe my version of a Haunted House to you in detail.  But I suppose that's why I'm a writer, to give you my take on things. 

I'm here to entertain with my imagination.  I'm here as a storyteller, here to use my fluid take on reality to alter your day a bit.  That question on their lips?  Granted, sometimes it's "What the hell is wrong with you?"  More often than not, however, it's "Why?"

Why?  Because it's who I am. 

Filed under  //   author   books   brian fatah steele   fiction   horror   imagination   storytelling   writing