Three Scenes

ONE…

The chains hung to the ground, flacking off bits of rust and dried blood.  The iron tendrils rattled, chimes of imprisonment, as they were dragged across the floorboards.  Without that slight music, the house was silent.

It stopped at a grime-encrusted window.  Outside, below in the driveway, humans were transferring bags of supplies and boxes of equipment from two large vehicles to the front porch.  A large male struggled with the front door for a moment, then let out an exclamation once he gained entry.  They others cheered. 

Up on the fourth floor, behind the filthy glass, it allowed all three sets of jagged teeth to smile.

 

 

TWO…

Eyes strained wide with a brutalized innocence.  “Why?”

There are red rivulets over his fingers, faster now.  Droplets spill on the greenery between his feet, then a stumble and a fall.  The blood wells up on his tee shirt, draining out onto the forest floor.  A crimson-wet reach out to her, pleading, the word on his lips one last time.

“Because I could,” she whispers.

 

 

THREE…

Recalling the words murmured, he stared harder at the artifact in his hands.  Contemplation of the litany will result in secrets laid bare.  He studied the unknown language that was scrawled over every inch of the clay tablet, arabesque runes that swam at the edges of his consciousness.  Carved in meticulous base-relief, the lettering flowed, just as much a message as a work of art. 

Its many wonders absorbed his attention, and the professor no longer noticed his surroundings.  He didn’t see the light in his attic office grow incorrect when the shadows took on ill-defined proportions.  The long and narrow space inside the room, filled with books and discoveries from his travels, lost its cohesion.  From area outside reality where his door had once been, something shifted.  Then, what sounded like the voices of children.

 

Brian Fatah Steele, 2012

Filed under  //   brian fatah steele   dark red press   fiction   horror   lit   writing  

4 Authors, 4 Tales, 4POCALYPSE

http://www.amazon.com/dp/B007GTRG9Q

What happens when the world as we know it comes to an end? Will it be with a bang or a whimper? What comes next? Who survives and why? Here are four disparate stories of post-apocalyptic adventure, terror, revenge and love. In The Last Pharmacist, underground cities are dealing with the deadly epidemic of a synthetic heroin supplied by an unknown source. In Smile, the world is overrun by a terrible, terrifying invasion from an unstoppable interloper. In White Sands, a girl searches for the one responsible for the worldwide pandemic that killed her father. In Futureblind, one woman finds that she has survived a horrible fate only to face a unique destiny. Welcome to the 4POCALYPSE – Four Tales Of A Dark Future.

http://www.amazon.com/dp/B007GTRG9Q

Presented by Dark Red Press, featuring John J. Smith, Jack X. McCallum, C.L. Stegall, and Brian Fatah Steele.  A Kindle exclusive for only $0.99, paperback version available soon.

http://www.amazon.com/dp/B007GTRG9Q

4poc-cov-med-1

Serenity J. Banks teaches us how to be Better Authors

http://www.redheadedstepchildbooks.com/1/post/2012/02/how-authors-can-become-social-media-stars.html

Serenity J. Banks, co-founder of Dark Continents Publishing and the driving force behind Redheaded Stepchild Books, has decided it's time to share some of her wisdom and experience.  Her new, ongoing blog So You Wrote It... Now What? is dedicated to elevating the indie press industry and answering the gazillion questions that many new authors have.  She tackles everything under the sun, from standing behind your book's idea to using social media responsibly. 

Her latest post, "How Authors Can Becomes Social Media Stars," features such names as Brian Keene, Douglas Clegg, Deirdre Reid, Michael Hyatt, Peter Shankman... and (shockingly) me.  It's a wonderfully detailed blog that discusses an assortment of social media markerting concepts along with our behaviors on these sites.  I truly believe posts (and entire blogs) like these are essential to the up-and-coming author.

http://www.redheadedstepchildbooks.com/1/post/2012/02/how-authors-can-become-social-media-stars.html

"Ideas aren't created in a vacuum."  And if the ideas of young authors are going to be shaped and sharpened by anyone, I can think of few people better suited to lead that progression than Ms. Banks.  Check in at her blog, regardless of your writing skill or popularity - you just might learn something.

http://www.redheadedstepchildbooks.com/1/post/2012/02/how-authors-can-become-social-media-stars.html

 

 

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Would-Be Authors, you need to READ!

Today I was engaged in a discussion over on Facebook about self-pubbed authors.  I got the feeling most of the authors involved in the debate were either traditionally published or with small presses.  While I'm with a small press now, I used to self-pub so I kind of felt sorry for the object of their scorn.  None-the-less, I understood completely the issue at hand.  It all came down to the utter lack of editing that a majority of self-pubbed authors have with their work.

Cthulhu knows I didn't have a whole lot back in the day.

Now, I do think self-pubbed authors would greatly benefit from having a professional editor.  Wait... let me clarify something - let's make a crowbar division between "Editing" and "Proofing."  We'll say Editing is when someone looks over your manuscript for issues with character development, plot flow, theme, and all that other literary stuff.  Proofing is when someone looks over your maniscript for SPaG issues, or problems with Spelling, Punctuation and Grammar.  All self-pubbed authors should have someone else (preferably semi-trained) dispassionately Proof their manuscript.  The Editing I'll leave to your discretion.

However, I think it's more than that.  Too often I find that both Would-Be Authors, early Self-Pubbed Authors and (sadly) a lot of D-List Authors (like myself) only read the works that are similar to the genre they write in.  Just because you've read every gigantic tome written by Robert Jordan and Terry Goodkind, you are not necessarily in a position yourself to write the next great fantasy epic.  Consuming every YA Vampire novel you can get your hands on does not make you an author of one.  Now, I'm not saying you shouldn't read the stuff you like, nor am I saying that you need an advanced degree in English to pen a book, but c'mon... diversify.

I read just about everything except Harlequin Romance.  Well, and Sports Biographies.  (Lame.)  An author should always be up for absorbing new things, gathering more information.  Read Westerns, SciFi, Horror, Romance, Fantasy, whatever.  Read non-fiction books on History, Cooking, Physics, Crime, Technology, Philosophy, whatever.  Read the local newspaper, read the label on your frozen pizza, read your junk mail, whatever.

After running a used bookstore for a year, I found that most readers have one or two genres they like, with only about a half-dozen authors they regularly read.  While that might be fine for the general public, you're an Author... you don't get that luxury. You just need to read.

And who knows - maybe there won't be as much Proofing that needs done later...

 

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