Three Scenes

ONE…

The chains hung to the ground, flacking off bits of rust and dried blood.  The iron tendrils rattled, chimes of imprisonment, as they were dragged across the floorboards.  Without that slight music, the house was silent.

It stopped at a grime-encrusted window.  Outside, below in the driveway, humans were transferring bags of supplies and boxes of equipment from two large vehicles to the front porch.  A large male struggled with the front door for a moment, then let out an exclamation once he gained entry.  They others cheered. 

Up on the fourth floor, behind the filthy glass, it allowed all three sets of jagged teeth to smile.

 

 

TWO…

Eyes strained wide with a brutalized innocence.  “Why?”

There are red rivulets over his fingers, faster now.  Droplets spill on the greenery between his feet, then a stumble and a fall.  The blood wells up on his tee shirt, draining out onto the forest floor.  A crimson-wet reach out to her, pleading, the word on his lips one last time.

“Because I could,” she whispers.

 

 

THREE…

Recalling the words murmured, he stared harder at the artifact in his hands.  Contemplation of the litany will result in secrets laid bare.  He studied the unknown language that was scrawled over every inch of the clay tablet, arabesque runes that swam at the edges of his consciousness.  Carved in meticulous base-relief, the lettering flowed, just as much a message as a work of art. 

Its many wonders absorbed his attention, and the professor no longer noticed his surroundings.  He didn’t see the light in his attic office grow incorrect when the shadows took on ill-defined proportions.  The long and narrow space inside the room, filled with books and discoveries from his travels, lost its cohesion.  From area outside reality where his door had once been, something shifted.  Then, what sounded like the voices of children.

 

Brian Fatah Steele, 2012

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Rambling VLog for March 29th/30th

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4 Authors, 4 Tales, 4POCALYPSE

http://www.amazon.com/dp/B007GTRG9Q

What happens when the world as we know it comes to an end? Will it be with a bang or a whimper? What comes next? Who survives and why? Here are four disparate stories of post-apocalyptic adventure, terror, revenge and love. In The Last Pharmacist, underground cities are dealing with the deadly epidemic of a synthetic heroin supplied by an unknown source. In Smile, the world is overrun by a terrible, terrifying invasion from an unstoppable interloper. In White Sands, a girl searches for the one responsible for the worldwide pandemic that killed her father. In Futureblind, one woman finds that she has survived a horrible fate only to face a unique destiny. Welcome to the 4POCALYPSE – Four Tales Of A Dark Future.

http://www.amazon.com/dp/B007GTRG9Q

Presented by Dark Red Press, featuring John J. Smith, Jack X. McCallum, C.L. Stegall, and Brian Fatah Steele.  A Kindle exclusive for only $0.99, paperback version available soon.

http://www.amazon.com/dp/B007GTRG9Q

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Dreaming like Randolph Carter

I had this dream for the second time last night.  It was a bit more vague than the first, but the general imagery and sensations were there.  I believe it’s quite telling…

 

It is a charnel swamp, a bog built out of death.  The blood and bile run in thick currents knee deep, the “vegetation” nothing more than meat.  Bushes of gristle, vines of intestines, trees of bone – these things and more obstructed my passage through this slaughterland.  It was an absurdist blend of overgrown greenhouse and over-enthusiastic butcher shop.  Nothing appeared too far decayed yet, as if the entire environment had been mutilated into existence only hours ago and then held in stasis.

Above me, the sky was burning.  There was no moon or sun present, only rolling fields of liquid fire as far as my eyes could see.  The stratosphere aflame, it provided a dull orange glow to the ground below, everything shimmering and wet.  Here and there, thin clouds of soot raced past, low and insubstantial.

I continued to wade through the gore, this red reality.  I can recall feeling somewhat placid, neither disturbed nor comforted by these sights.  I don’t remember what I wore or for how long I traveled, and perhaps these things were irrelevant.  However, I eventually saw something akin to an island of viscera in the distance.

Drawing closer, I saw this mound was built with the corpses of babies, their flesh sewn and nailed together.  I don’t believe they were human infants, though… their dead eyes still squirmed with a living darkness.  This animated tar-like substance undulated and swayed in a subtle pattern deep in those tiny sockets.

There, sitting on the apex, was some type of throne.  I still can’t properly describe the material or style, nor can I attempt to describe the entity that sat upon it.  Occasionally, I found it humanoid, most often I did not.  I think it may have been composed of that same living darkness, that “deeper black” that I speak of in my fiction, but sharper and more defined.  I have the precise recollection that this abomination was the current king of this realm.

I remember… this monstrosity and I, we gazed at each other for a moment before speaking.  When we spoke, we spoke as equals.  I somehow understood that it acknowledged me as a peer.  I can recall that placid sensation remained, a casual feeling, perhaps closer to boredom or even slight irritation.  I can’t determine what we talked about, but I know the thing gestured off into the distance, and I had a bizarre but distinct feeling wash over me.  It was reminiscent of those time when you can’t find your car keys after having just sat them down, or when a needed word is right on the tip of your tongue.

And that was it.

 

I believe the first time I had the dream, I may have actually started walking off in the direction indicated by my abhorrent host.  I’m not sure.  I know I awoke before leaving its presence the second time.

I can easily explain away certain elements of the dream.  I had already written a scene with a similar brutal landscape for the novella I’m working on, and I’ve already incorporated portions of this dream into a new part of the fiction.  This “Deeper Black” is a concept I’ve played with in almost all of my horror and paranormal fantasy work.  The entity is undoubtedly from reading far too much Lovecraft.

No, the visuals are meaningless to me, simply window-dressings.  The sensations are what fascinate me, this nonchalant acceptance combined with faint annoyance.  While this is my general state in everyday life, I’m terribly interested on the how’s and why’s this would translate so clearly into such a atrocious dreamscape.  And, of course, I would very much like to discover where I was supposedly journeying off next to.

Once, I used to dream on par with Lovecraft’s great reoccurring character, Randolph Carter.  Various medications stole much of that from me, most of my dreams now either utterly mundane (going to the store to get lunchmeat) or a jumbled sensory-salad of images, sounds and concepts that would make Salvador Dali weep.  The majority of people would find such a dream like I’ve described above horrific, a nightmare to be banished.  I find it hopeful, something to return to.

And if I’m lucky, perhaps, I’ll be able to get my bearings back in the slaughterlands and travel even farther…

 

 

Filed under  //   brian fatah steele   dark red press   dreams   fiction   h.p. lovecraft   horror   lovecraft.    writing  

Soundtrack to the Story

I have almost 10k words done for the anthology piece due to Dark Red Press on the 20th of January.  I'm pretty sure it's only half done.  15,000 words was my minimum, but I know I'll go over that and hit closer to 20k.  It's a post-apocalyptic tale, just as the other 3 will be from the other DRP authors, for a book entitled 4POCALYPSE.  An interesting premise, each of us taking a spin on that speculative fiction sub-genre.  Like an idiot, I decided to set mine in the ruins of 2270 and fill it with advanced tech and my twist on zombies.  (I didn't foresee the amount of research that would have to go into this one.)

As with all of my longer works, it took me a while to find the "voice."  Mostly, this was because I hadn't found the soundtrack yet.  Each of my novels or e-novellas have had their own selection of music.  THE STITCHING was done entirely to Murder By Death, while IN BLEED COUNTRY had a lot of Puscifer and Tool.  A COMPLICATED DIVINE was set to Alkaline Trio and other modern punk bands, while my out-of-print novel BETWEEN US AND OBLIVION was penned exclusively to the post-rock band 65DaysOfStatic.  It took me a while, but this current novella is getting hammered out to a mix of DeadMau5, Skrillex and The Glitch Mob.  The music created by those groups fit the vibe of the tale.

I know some authors who must write in near silence - that would drive me insane.  At the same time, once I've found my tale's soundtrack, I won't listen to it during the writing process except when I'm actually writing the story.  It forces me to keep going and doesn't dilute the feeling.  When I'm writing random articles, blogs (or just pissing about on Facebook), I find any instrumental post-rock works well for me.  While emotive and creative, it almost acts as a default sound to be, those guitars from This Will Destroy You and Explosion in The Sky and the vocals from Sigur Ros.

After this novella is done, the sequel to IN BLEED COUNTRY is supposed to be next on my plate.  Perhaps I'll find the soundtrack in one of Maynard Keenan's acts again, but I wouldn't necessarily say it was set in stone.  Certain aspects of a story writes itself, and a tale demands its own tune.

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4POCALYPSE promo art for Dark Red Press

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So Much Madness...

A lot going on right now.  The DRP interview for "In Bleed Country" is up, and I'm hoping it generates more interest in the book.  I've contacted three different review site with the request to submit the book - no word back from any of them.  That said, if any is willing to give an HONEST review on places like Goodreads, Amazon, etc. I'll see able getting a DRP e-Review Packet out to you. 

So, the 4POCALYPSE project at Dark Red Press has been pushed back a month.  This works out for me greatly.  I spent so much time researching aspects of the novella I was contributing, the start of the actual writing seemed daunting.  Of course, once I finally got into the tale, I only had a little over a week left before the deadline.  This extension should ensure the piece comes out as quality.

Speaking of, one of the main reasons I found my groove with the post-apocalyptic tale was because I discovered its soundtrack.  This is always an issue with me, the right "feeling" music to inspire a certain story.  C.L. Stegall talks about it in his video blog here, http://www.youtube.com/watch?v=wwQCXv6F78E and it's something that definitely resonates with me.  My tastes are eclectic, and I found a few dub-steb groubs (Deadmau5, Skrillex, Glitch Mob) are helping me to write this.  At the same time, I've been trying my hand at illustration again.  It was a small tragedy that my CTS didn't allow me to do much tradional artwork, but I've switched up some techniques and the project currently has three fully rendered pieces of promo art.

Oh, and the evil wizards at Smashwords have arbitrarily decided my short story, "Wetter," has passed all their insane e-tests to get on the premium catalog.  Have I mentioned this week how much I hate Smashwords?  I wouldn't mess with them anymore if I could get free e-books up on Kindle and Nook any other way, but it's SUCH a great marketing tool.  I'm fully aware I'm a D-List Author, but I also fully believe in a certain price tier - full eBooks at $2.99, eNovellas at $0.99, and eShort Stories for free. 

Now if I can just get those bastards to accept the Halloween eAnthology I edited, "Past The Patch," into their damn premium catalog.

 

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Halloween Lurking: a 1st time editor reflects

Last Tuesday, a little over a week ago, I uploaded a FREE Halloween e-anthology to various websites.  Past The Patch was an idea that sprang up over the summer during one of the many manic e-mail trading session between the guys at Dark Red Press.  Since I was the one promoting the idea (and I had always wanted to try my hand at editing an anthology), it became my project.  It was early August when I sent out the first round of submission queries, with an early October release slated.

I wanted around a dozen authors, mostly because that number seemed managable for my first time stepping into editor shoes.  Pretty much the same reason we decided to make the thing free.  I had an idea of what I wanted with this anthology, and I went outside the normal realms of modern horror and dark urban fantasy.  As I state in the brief introduction of Past The Patch, I've always been most impressed with the anthologies by the likes of John Joseph Adams, Al Sarrantonio and Harlan Ellison.  It seemed they were less concerned about genre and more so about theme.  I liked that.  So along with the usual suspects, I attempted to snag authors who were more accustomed to writing romance, fantasy, mystery or poetry.  I wanted stories about Halloween, a holiday and all that it encompassed in our collective culture, not just a collection of spooky gore-fests.

Authors wandered in, some wandered out.  A few new ones showed up late to the party with more beer, as it were.  Multiple times I found myself screaming at the computer for whatever reason.  The release deadline of October 11th had been set, and I was still agonizing over the cover art.  I think I may have annihilated a few galaxies in my stressed-out rage.

Finally all the tales were in and it was a matter of deciding upon the "track listing" and hammering out the formats.  Looking over my submissions, it was quickly apparent that I was going to end the anthology with "The Witch Of Mistletoe Lane" by Court Ellyn.  Almost a novella in length, it's so well written, so heart-breakingly beautiful and poignant, I knew it was the perfect note on which to end.  J.T. Warren's "Halloween Candy" seemed a great choice for the opener with it's unique take on an old holiday fear.  In between, all the tales were decided by their word count and subject matter.  I didn't, for instance, want to put two shorter tales next to each other, nor did I want to place two stories that had children as the protagonists back-to-back.  Cue more screaming at the computer.

And then suddenly... it was done.  The cover embedded, legal crap page, ISBN# acquired, contents, bios, everything.  It looked good!  I sent it to the guys at Dark Red Press for a look-over, got the thumbs up, and started uploading.  I promoted it for a few hours, then I think I passed out for a day.  Past The Patch was done, and damn, it did look good!

The main download site, with various links, is on the DRP site.  Who knows how many PDF's we've directly downloaded, but it's all here... http://www.darkredpress.com/read-now/past-the-patch-a-free-collection/

We've had 97 downloads off Smashwords as I write this.  That site is here... https://www.smashwords.com/books/view/95432

We've had 74 reads over at Scribd.  That site is here... http://www.scribd.com/doc/68259166/Past-the-Patch

Finally, it's also available as a PDF at Goodreads, along with the e-anthology's page and links to all the contributing authors.  Feel free to snag it or give us feedback here... http://www.goodreads.com/book/show/12845734-past-the-patch

I'm proud of what was accomplished with Past The Patch, and I'm ever more proud of all of the authors who contributed to the anthology.  It's a fun collective of tales, and I'm thrilled these amazing authors gave me a chance to combine their works in this fashion.  Please, as October 31st lurks closer, I invite you to check out this FREE e-anthology and get ready for Halloween!

 

 

 

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FREE Halloween E-Anthology

http://www.darkredpress.com/read-now/past-the-patch-a-free-collection/

Dark Red Press presents a FREE anthology of Halloween-themed tales.  Available as an e-book in multiple formats on various sites, Past The Patch contains the work of thirteen rising authors in an assortment of genres.  Writers from the realms of fantasy, romance, adventure, poetry and (of course) horror, give use their unique takes on the infamous holiday.

http://www.darkredpress.com/read-now/past-the-patch-a-free-collection/

Halloween – a holiday that evokes so much. Some say it’s a time when the space between worlds is too thin to bear the weight, and outer things spill over for a bit of Trick Or Treating. The stories found inside this e-anthology echo that idea, reporting back from a corner where the mirror has reflected a distorted image of this season.

Inside we’ll find a young man’s madness has driven him down a bloody path and the brutal folklore of the early 19th century clawed to life. We’ll see domestic bliss marred only by suburban lycanthropy and retail employees devoured by cosmic malevolence. Witches, monsters, and maniacs as written by authors of fantasy, adventure, mystery, poetry, romance and horror. We’ll dig deeper into a celebration now known for masks, candy and pumpkins while immersing ourselves in this anthology. Here, we’ll go past the patch and discover what tales lurk on the other side.

Edited by Brian Fatah Steele

A Dark Red Press Production

Contributors… Sarah E. Adkins, Jonathan Dukestein, Court Ellyn, Matthew Leverton, Jack Lloyd, Jack X. McCallum, H.H. Shullith, John Claude Smith, John J. Smith, C.L. Stegall, J.T. Warren, Robert S. Wilson and Brian Fatah Steele

http://www.darkredpress.com/read-now/past-the-patch-a-free-collection/

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